Media
CREATION AND NO LIMIT TO IMAGINATION
A very inventive storyteller, Kazaz blurs the distinctions between drawing, painting, and sculpture. By its spontaneous nature, drawing is his most fluid activity, followed by sculpture, and then painting, which, more often than not, seems sculptural. Kazaz is also a master of emotional transparency. His animated gestures and atypical postures project internal thoughts as secondary props, i.e. building details, cups, hats, etc. add to pictorial succulence and multilayered translations. All of his works are dominated by atmosphere, color, and implication; with a twist of the brush, a dab of color, or glob of clay, he creates a nose, a questioning gaze, and/or personas with complicated social situations as tiny pieces of architectural detail, furniture, or landscape identify locations in which his participants read their lines, and live their lives.
